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2024

Stories published: 9

Fandoms published: 2 (as always, I am grouping all of the DCU together. I tagged 7 different parts of the DCU during the year)

My wordcount for the year was 12,428, which I consider pretty respectable. Well down on last year, but I didn’t publish nearly as big projects this time.

In terms of my all time stats: Some movement here. One new entry to the top ten kudos: Big Damn Heroes, and the picture frames have changed and so has your name and there’s an endless road to rediscover have moved up to 3rd and 4th respectively. It’s now split as 4 YOI, 4 DCU, one Girl Genius and one ATLA; I have to go down to 15 to get a Vorkosigan story.

Most popular story: Big Damn Heroes. This one has surprised me a bit in terms of how well it’s done; I was expecting a story focused on Duke Thomas and about real world problems was going to end up hanging around the tier that most of my women-focused stories end up at. I’m glad to see it doing well; it’s just not the one I’d pick out of the pack personally.

Favourite story written: Every Beginning is a Promise was my big project of the year that involved the most research. I sort of expected it to do better given the mix of characters tagged on it, and it’s got some of my favourite little character moments of the year. I’m particularly proud of my Stephanie Brown voice in it, in terms of what stands out to me.

Best reception: The Circus, probably. Which played very well in my individual social circle on tumblr. This is one of my classic dramatic irony stories, and while it had niche appeal, I’m surrounded by those for whom it does have that appeal.

Favourite underrated story: The Circus. Yes, I just also tagged it for best reception, but stay with me. I knew it wasn’t going to do well on a wider basis, comparatively, because ‘Janet Drake was a good mother trying her best’ is not a popular fandom opinion, but I had a lot of fun with it and I’m going to keep adding on to my Mother’s Day series. Maybe I try to finally get to Mary or Martha this year.

Favourite title: Engaged! (in defending your previous poor decisions) yes it’s too wordy, but the pun makes me grin. I love a good pun in a title. Also Dick is having a terrible time in the story and that’s reflected in the title.

Hardest story to name: Every Beginning is a Promise. This one I had to canvas for poetry to find something approximately on theme. Finding something that fitted the vibes between Bruce and each of his Robins (+ Cass) in regards to their first patrols was

Themes I noted in my stories this year: this was definitely a year of the take-that at fanon again. I’ve got a habit of writing stories to react to things that annoy me in fandom. This year we had: Buried Six Feet Under (aka Jason you’re not the only character who’s been buried alive); These Small Hours (irritation at that post going around suggesting Clark couldn’t cope with the birth of his own kid and Bruce would need to be the one to step in to support Lois); and Every Beginning is a Promise (a reaction to the whole ‘Bruce changed after Jason’s death and never did a single nice thing for any of his Robins, he was unsupportive blah blah blah’ take). Yes, I turn my petty complaints into stories quite often. I don’t know if you’ve noticed.

Commentary: very much a quieter year this year, but I still cleaned up and put out a bunch of things and wrote a whole host of new bits and bobs. The Yuri!!! On Ice stories had been hanging around unfinished in my drafts for ages, and I really wanted to get This Sense of Completion into a position where I could post it, because of all rarities for me, it was a story where the characters involved kept telling me ‘okay we want to have sex now’ and striking up innuendo with each other. And that never really works out in my writing, but this time they were, so I wasn’t going to waste it. I didn’t get anything long and plotty finished to publish it, but I did get far more short pieces done than I thought I might, at the start of the year, and to be honest one-shots are my comfort length in storytelling anyway. I’m also quietly proud that I actually wrote something Superman related because, despite how it might appear from the outside, the Lois & Clark TV show was actually my earliest and first DC property, and also one of the first fandoms I ever read fic in.

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2023

Stories published: 13

Fandoms published: 3 (technically if you look at my AO3 tagged fandoms for the year it’s 8, but I’m just going to group all the DCU together).

It’s ended up being my biggest year in terms of story output; being back in a fandom which is causing me brainrot as far as prompts go and where I have a bunch of mutuals has definitely been helpful for the writing. My longest finished fic ever is now 24,306 words, and I’ve cleared 40k this year.

In terms of my all time stats: I’ve got three new stories in my top ten as far as kudos go (at 5,7 and 9 as I write this): all the Vorkosigan has now dropped below 10th now.

Most popular story: there’s an endless road to rediscover. Given how I wrote this then fussed worrying for several months over what its reception would be, I’m glad it went well, especially as it was my first time tackling Damian characterisation and I wasn’t confident with him yet. It’s doing better than I expected, ranked next to everything else.

Favourite story written: Um. Hmmm. Part of me wants to say Orange Juice, because I just really enjoyed how fast that one came together, but really it’s the picture frames have changed and so has your name, no question. My most ambitious project, the source of so much brainrot and theorising. The day I figured out how the solution to ‘what happened to Dick’ (because that was the last big moving piece that came together to make the story work - the solution) was a wonderful one, because I kicked my feet with delight and then had to work really really hard not to reveal the secret to everyone I immediately wanted to tell how clever I was. I was SO SMUG.

Best reception: the picture frames have changed and so has your name definitely gets the award here. Everyone was super nice about it, I got to see so much theorising, it’s currently sitting on 116 comment threads, and honestly all the support to push through and get it written was worth it. Came out so good! You were all really generous!

Favourite underrated story: Tea for Two. I just like the balance of how much stuff I layered into it and that it was detailed enough I sent someone who I KNOW is hugely into No Man’s Land scurrying off to the comics to check I had got certain details correct. It was a fun write with very specific goals to hit, and stylistically exactly what I like doing. I also love the concept of the Mother’s Day series and am thinking through what additions I want to make to it in 2024.

Favourite title: I actually really enjoyed some of my title choices this year, but I absolutely cannot go past I’ll hold your memory in my hands tonight in terms of title. I came up with it, then I giggled, then I thought about how dark the joke was, then I giggled again. Helena held the thank you letter from Tim! Barbara held the plushie of Tim! Dick held Tim’s brain! I’m so awful.

Hardest story to name: bones of a dinosaur, bones of a city I honestly did not know what to call this story, so I ended up essentially opting out of naming it. I think it works, and has joined the storied realms of ‘story titles I’ve invented quotes for’.

Themes I noted in my stories this year: ‘Let’s write about mothers and sisters’ popped out a lot. There’s a lot of death (and discussions of deaths), which unfortunately ties back into the mothers and sisters thing. And a lot of Tim and his relationships with his older siblings: Dick, Barbara, Helena and Cass.

Commentary: well look who fell back into DC fandom and wrote fic. The bunnies attacked and the fandom itself enjoys short stories. On top of that I had, hmm, two ‘sort out the draft I have sitting here and publish it’ stories that went out this year. Becoming Miss Burgeson had been hanging around as an idea more than a story since I finished Invisible Sun in 2021, because not only is Rita Douglas a fascinating character, but also there are SO MANY identity shenanigans over the years in the Burgeson family. Erasmus’ comments on being a Burgeson in particular were the heart of the fic (because everyone forgets Erasmus ALSO is an assumed name). Nobody using the name was born into it and everyone chose to adopt it as a cover. Now Rita’s not nearly the most complex figure here (Miriam’s name situation is even wilder), but due to the complexities of Miriam/Helge’s names, Rita acquired three extra surnames by the transitive nature of being Miriam’s natural daughter. Actually I SHOULD sit down and work out what Rita’s braid name should actually be. I also dusted off Just Skate Figures enough to post the main bits of it, because I was tired of not having the Axel and Minami scene, at least, posted where other people could enjoy it.

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 Now onto 2022 which is another year of hard work in trying to write and not succeeding very often. 

2022

Stories published:
2

Fandoms published:
2

Most popular story:
Herds of Little Vorkosigans. Definitely. Not a lot of competition but this definitely won.

Favourite story written:
Herds of Little Vorkosigans. I’m actually annoyed as I lost about 500 words of another sequel in this series about Gregor and the hunt for his future Empress, which I liked even better, but I couldn’t resurrect it or remember the details clearly enough. In any case, I spent a lot of time fantasising about all the extra children Aral and Cordelia never had.

Best reception:
Herds of Little Vorkosigans. It’s very very hard to beat the reception of dropping fic in the Vorkosigan fandom, as I’ll always get a whole pack of comments, as that’s the fandom culture, plus I’ve been around so long.

Favourite underrated story
: State of Origin. This was something I wrote in DMs to a friend during State of Origin 2021, then turned around and cleaned up to publish in 2022. I am tickled beyond belief that I managed to get this out before the next series dropped and included a State of Origin episode (though one was inevitable given the Brisbane setting). I’m never giving up my headcanon that Rusty’s Dad is from NSW however – the parallels with Anthony Field as his voice are too funny to not be true. Also hilariously this story outed me as an Aussie to some of my readers, which will never stop being funny. I’ve never hidden it particularly well.

Favourite title:
Herds of Little Vorkosigans I guess as it’s just such a nice tribute to Cordelia’s moment of genetic greed in Barrayar, and how the story came to be.

Hardest story to name:
Neither of them were particularly hard. I’m going to nominated State of Origin as I played around with ideas for a slightly more creative name that still fitted like an episode title, then defaulted to the obvious name.

Commentary:
Another very quiet year where a lot of my writing was stuff rescued out of drafts, cleaned up and published. I also added to the drafts backlog that gets put into the queue, I guess? I really enjoyed adding an additional fandom to my tally (Bluey), which I just notice means that I wrote fic in a new-to-me fandom every year between 2019 and 2022, which makes a nice 4 year streak (that is not broken for the 5th!) Most Bluey fic isn’t really my cup of tea – I mostly just wanted to write my own episode – so it’s a rare case of fic for a fandom I barely participate in (where an actual fandom exists).

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Getting caught up with these as 2023 is finally going to be an interesting year again.

2021


Stories published:
2

Fandoms published:
3

Most popular story:
College Daze, by a country mile. This is completely expected due to the combination of major fandom/main character/fan favourite challenge. It’s the runaway leader of all my fics for popularity, in fact. Given the only other thing I put out in 2021 was a crossover drabble, it didn’t really have any competition, but it sure exceeded expectations.

Favourite story written:
I’m Not Pregnant. Okay I am being slightly contrary here, but I enjoyed managing a drabble about a 20 year old fan theory that I very much enjoy. Also given I put out College Daze on 1 January, this was the only story actually written during 2021.

Best reception:
College Daze. Except for everyone disappointed about the fact that I didn’t ‘solve’ the mystery from the challenge, and just alluded to it. (I actually prefer it without the extremely repetitive reveal scene).

Favourite underrated story
: I’m Not Pregnant. Abbey/Rizzo is someone who is so special to me, as she manages to become First Lady of the United States.

Favourite title:
again we really don’t have much choice or creativity this year. College Daze just because it’s a pun and I snorted when I came up with it. It fits the challenge.

Hardest story to name:
College Daze because the other one was literally “use the canon line as a title”. I had to at least get creative.

Commentary:
when I decided I was done with College Daze I actually specifically held back on publishing it until it fitted into 2021 so my stats would have a story for the year! And part of the reason I wrote I’m Not Pregnant was because I wanted to have written SOMETHING during 2021 that was worth putting up. 2021 turning into a no-writing zone doesn’t really surprise me given that I spent June to October in lockdown, which contained some of my best ‘break from uni’ time during the year (I literally did my last exam Thursday, got notified I might have to lock down on Friday, the entire city was locked down Saturday. What holiday?). My brain creativity capacity mostly stretched to a photo a day in lockdown and knitting baby blankets. One of which ended up being for a friend who miscarried, something that was a truly painful moment. I’ll never forget the moment I decided that I was finishing that blanket anyway and giving it to my friend. It went in a special presentation box, with a card from me and a silk magnolia flower – they planted a magnolia tree for the miscarriage – and I quietly gave it to the couple when nobody else was around. Which made it even more astonishing when at the baby shower for their next pregnancy – safe! Successful! – my friend’s mum explained to a couple of grandparents that I was the one who’d made ‘that blanket’ and showed it off. It was a gift that could have gone so wrong yet apparently went exactly right.

In any case I was determined not to break my fic streak and I managed not to.

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I just realised that I hadn’t done one of these in ages, AND I had a draft from about June 2021, so here we go with the draft. I'll tidy up a proper recent one sometime soon. 

The Duke Who Didn't, by Courtney Milan


This was a reread after finishing The Devil Comes Courting. I love the narrative beats of The Duke Who Didn't

The thing that struck me most of all, on this reread, was how similar the narrative beats of this book are to Crisis on Doona, which is one of my favourite Anne McCaffrey stories. It's not an exact copy, but overlaying the narrative purpose and beats of the Wedgeford Trials and the Doona Snake Hunt shows a lot of similarities. It's a good formula! I would like more books containing it! (And Milan is a lot more fondly disposed to the 'new outsider' in Mr Wilderhampsher than McCaffrey is to Jilamey Landreau)

Playing Beatie Bow (Theatre)

This is the best show I've seen in, gosh, several years. It was just so SMART. 

I love the Ruth Park book, but the updates made to bring this into 2021 were well done and useful additions, rather than dating. (Well, aside from the handful of COVID jokes, which are funny now but would drag in the future. The best in my opinion is Abigail's grandmother's use of hand sanitiser - it's a motif that would ring true in any period, but is ESPECIALLY funny after 12 months of hand sanitiser everywhere)

The show became more multifaceted on the concepts of identity and belonging (this is apparently part of the current HSC curriculum, so I assume current Year 12s flinch from those words the same way I do from 'Change'. I'm sorry, Year 12s) by leaning a LOT more into identity by making Abigail biracial, transforming a set of characters into an Indigenous family and adding Johnny Whites in the past, relying more heavily on the right to choose your own identity in Abigail's name change, by allowing the characters in the past to discuss how they see the situation around them.

Show of the year for me. And that was BEFORE The Dismissal was pushed back to next year.

Fun Home (Theatre)

Ended up seeing this twice due to COVID outbreaks - a friend couldn’t cross the border to see the show so I took over their tickets.

Really enjoyed it. I got two different kid casts and definitely preferred the first, but the emotion of the piece was just so accessible. I’m glad I got to see it - seriously solid Aus cast.

7 Stages of Grieving (Theatre)

oh. WOW. I had preview tickets for the show (actually the same night as the Guardian reviewer) and I am so, so glad I went.

The fascinating thing about 7 Stages of Grieving is that the show is a conversation with the Australian community, and with that the ending of the show just. keeps. expanding.

The brand new finish is a call to arms and a demand to start direct action, to not remain comfortable. This included a list of seven Aboriginal organisations that you should follow and support - I was really glad to see Sisters Inside on the list, as I have very strong views about women, imprisonment and deaths in custody. I’ve seen personally how shit the system is, and that was involving an otherwise privileged white family. I don’t want anyone’s family or community to go through that shit, time after time after time, with the disrespect and dehumanisation that accompanies it.

I don’t get as radical as sometimes I think I should, but deaths in custody is one of those issues where I get blindingly furious, and if you press the wrong button you’re about to hear way more than you really want to.

plus, the midden set was blindingly beautiful, between the bell-toned oyster shells, the dirt, and the rainbow sparkle background.

Bluey (TV)

Bluey is a comfort and a companion in dark times. It’s also one of the most Australian TV shows around at present. I’ve got a spreadsheet which I’ve used to track that I’ve seen all episodes, and it’s complete. I love the respect the show has for both the children and the adults watching it. I love seeing situations and references I recognise (Hammerbarn! Election Day including a democracy sausage in Circus! The Australian Women’s Weekly Birthday Cake Book! Summer Christmas episodes!) I love that Bandit is dad goals for all my male friends who are parents. I adore how recognisable Brisbane is as a setting for the show, from the house designs, the plants, and the episode that literally strolls along Southbank and shows all its greatest hits. I love that they put out a Father’s Day episode for Father’s Day, which Aus holds at a different time of year to everyone else aside from our Kiwi cousins.

Baby Race is probably my ultimate tearjerker. 

Ms Represented (TV and Podcast)

Annabel Crabb does it again. This is a glorious tribute to the women of Australian politics, while being both celebratory and furiously angry simultaneously. Crabb had a lot of stuff that was repeated between the two platforms, but she had a lot of fun with the telling (and also managed to piss off one of my best friends about one of my favourite politicians, as Anne Aly said some things about trains and gunzels that made my rail historian friend rather unhappy).
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I read the first of Naomi Novik’s Scholomance series.

I liked it? The concept was an interesting one. I’m planning to read book 2.

I’m also dead terrified of the series, as it’s giving me intense Hunger Games vibes.

“Group of teens forced to work together without adults” is a rich vein to mine for YA conflict. The romance though...I’m very allergic to certain forms of teen romance, and the VIBES El and Orion were giving off to me reminded me far too much of Katniss and Peta. And I am a huge proponent of the concept that the true decent part of the Hunger Games is the setting, not the teen characters, and basically all the romance is utterly excruciating. 

I enjoyed the social dynamics of groups of teens that was less based on standard US clique stereotypes. I loved the various demons and the sketched in magic system,

I REALLY want to see more of Aadhya and Liu and Chloe. Seeing El mentor next book is going to be hilarious. Outsider perspectives on El are exceptionally biting as she’s projecting so much.

I’m just REALLY suspicious of Orion. And not just in the Gwen Higgins way, but in the “I’m concerned you’re going to suck all the aspects I care about out of this series in favour of your genuinely boring crush” way. 

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Time for an update on what I've been reading/watching and really it's been 'watching' as I've been under the weather

Malory Towers (Series 1):

OH MY GOD. I was frustrated back last year when there was no estimated release date on the ABC, and then forgot to check. For months. And then I was feeling under the weather this weekend, thought I’d take a quick squiz for comfort reading purposes, and THERE IT WAS. Apparently posted last August.


For a Girl’s Own fan like me, this show was like a warm hug. It was DELIGHTFUL. The episodes gently followed along through the main events of First Term at Malory Towers, with a handful of updates, content revisions and additional plotlines to bulk things out. The Ghost of Lady Jane Malory gives plenty of scope to show off Alicia’s worst tendencies to contrast against Sally’s behaviour. (The general shape of the Emily plot I am SURE I remember from somewhere, but can’t remember exactly where – might be in one of the St Clare’s books?) But opening up the casting worked just fine for a story set in the period it is set in, particularly in terms of Joan; if you take publication dates as the series starting in 1946, Joan quite reasonably could have been injured as a kid during the War due to bombing or an explosion.

Also giving Darrell a reason for why she has to slog to get marks creates a nice rounding to her character.

They put a fair amount of work into Gwendoline Mary to make her more understandable and less one-note (and I appreciated that even as I wanted to growl every time she raised her voice to be prissy and stand on her dignity), but honestly, the best character update in my opinion was giving KATHERINE a character outside of “issuing orders as the head of the form”. You could really feel how underwater she felt at times about having to be a leader and the responsible one, while still being a teenager and wanting to join in the fun.

The episode pacing in itself was a little uneven, as while each would wrap up the main story plot that they titled the episode after, there was frequently B and C plots that slopped awkwardly between episodes. This didn’t matter so much when you were just binging it in one go, like I did, but it did make it harder to keep track of where an episode stopped and started.

Really only had one big cringe point that I had to pause and then force myself past (During The Dress, when Gwen convinces Darrell to try it on). Pretty good going, honestly. Random Added Boy Character was essentially a deus ex machina that I felt did not need to be written in, but I suppose his existence brought the number of male characters in the show up to 2.

The costuming was delightful (particularly the terrycloth swimming robes that matched their day uniforms), the ocean pool was a REAL ocean pool (with a lifeguard that was casually mentioned and never seen, hah), and oh wow was it nice just to revel in a proper-style boarding school story.

Leaving Home at 8 Years Old:


A rewatch, essentially off the back of Malory Towers. God, I still feel sorry for these littlies, but it was a good reminder of the modern set up and it’s solid writing fuel at the back of my brain.

Harrow: A Very British School:


This is essentially a 6 hour long documentary on Harrow School. Yes, I was in a boarding school mood and felt ill. Also a 5-6 hour discourse on Privilege and How Connections Get You Places.

It was interesting, in that I’m a private school brat, so some of this felt rather more familiar than I expect it was pitched to be (though I was marvelling at how easily destroyed their hats were, I definitely know ABSOLUTELY NOTHING about uniform policies, enforcing hat wearing off the grounds, and the downsides and perils of dark felt hats in wet weather). Every time the tradition vs modern debate was raised, I had to smile; I’ve heard principals give that speech often enough, including the very pointed use of uniform policies to reassure the Old Boys/Girls Union that Standards Are Being Maintained even as they slip some modern update past them. In terms of ultimately pointless traditions, my school had not nearly so many, but also my school had only been incubating them for 120 years or so. Having to learn school history as an actual part of a subject, the amount of weirdness you can inculcate into a House, the established school slang that is sort of useless outside of it… yup.

I did end up cackling to myself about the speech over the Albert Hall Concert which only happens every 5 years – so you lot only have to endure one, is it? And you’re singing school songs mostly? Hah. (TBF my school only ran to three things that could qualify as ‘school songs’, being the school song, the school hymn, and the particularly difficult arrangement of the Lord’s Prayer they preferred which contained several unfair notes and a less-popular translation of the lyrics. They’d have needed a bigger range to sustain a whole concert off it)

I got very attached to various students and teachers, even as I know I would have hated them in person.

A fascinating look inside the school in terms of the rhythms of how the school runs and the expectations.

And yes I had to laugh at all the boys and teachers going on about how good the long term contacts are, considering I have spent the past 15 years or so systematically destroying most of the benefits and privilege I attract from having been at a Right School via my choice of university and law firm. Though the accent hangs around: I habitually talk Educated Australian, even at home (living with an old schoolmate exacerbates the problem, I guess; we both grew up Westie and can broaden but contextually tend not to).

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What I've been consuming:

Because Internet, by Gretchen McCulloch
A recent twitter kerfuffle reminded me this book exists, and then when I checked my library had it! Miraculous! This was absolutely in my preferred wheelhouse for nonfiction and a really fast read. I've seen some of McCulloch's work elsewhere, in particular some of Lingthusiam when they were talking about Australian and Canadian Englishes and their differences to UK and American English, so I already knew how accessible it would be. I will admit it was slightly WEIRD when I recognised, in particular, specific tumblr posts being used as references in the book: the first time I tripped over one, I went "hey..." flipped to the back of the book, saw that it was noted there, and from then on enjoyed myself immensely whenever I already knew the reference. Kinda cool really.

Bushwalking in the Budawangs, by Ron Doughton
This book for me right now is pretty much how I expect most of the rest of the world feels about planning holidays: I really want to go, but Stupid 2019/2020! I love the Budawangs and have done several multiday bushwalks in them before - I've previously had to go and photocopy pages out of this book at a local library for trip planning purposes, so when I saw a copy at Paddy Pallin before Christmas I snapped it up immediately. Most of Morton and Budawang National Parks got very very burnt out during last summer's bushfires and my favourite walking buddy has a 2 month old, so at the moment it's just all wishful thinking, but I'm marking out ideas for next time I want to go sleep in camping caves again. Also the fact that this book recommends an old school sketch map ahead of modern topographical maps for some routes will never not be funny to me (it's a great sketch map! Just... they made some very specific calls about what not to mark on the topos, and some of that is more clearly laid out in the sketch)

Island in the Sea of Time, by S.M. Stirling
This is a reread. It's been a while and I was trying to remember how much nonsense I have to work through to get to the interesting parts. This is the flip side of the Change books, if you don't know the Stirling oeuvre well, and is set on what happened to Nantucket. Not as good as Dies the Fire, largely as the redeemable parts of Dies the Fire almost all revolve around the Mackenzies, who are far less insufferable and America The Brave than everyone in Nantucket. There still IS some of the fun community planning bits which is why I read the Change books, but it's nowhere near as comprehensive or easy to follow as "just read chapters that contain Juniper" to find them. Feels more dated than last time I read it; you can really tell that this trilogy was the trial run with the setting and then things hit their stride when he went back and wrote what happened OUTSIDE Nantucket.

God I really wish I could find another solid author who liked writing these community time travel/apocalypse stories. Charlie Stross is the god of these as the Merchant Princes is really the best of the lot IMO (helped immensely by Stross being Scottish, so any jingoism is deliberately written in for specific characters to make a point, not inherent in the setting), and the 1632 verse is fine if completely unwieldy to access and extremely uneven in tone, but Stirling is getting more and more dated and painful to the point where I only read the pages I want to.

Children of Green Knowe, by Lucy M. Boston
Reread that I started because I was considering writing it for Yuletide, then I noticed the requesting author didn't want character death, and the idea I had floating around involved Granny Oldknow's death, which was PROBABLY fine in the context of Green Knowe but I didn't want to risk it. Anyway. I still love the magic of this book. I loves stories that are intimately set in a location the author knows well, and since this series is Lucy Boston writing about a house she owns, the detailing is always perfect.

Treasure of Green Knowe, by Lucy M. Boston
Followed on to Susan's story as she's probably my favourite Green Knowe character, and I think the mystery is somewhat more compelling here. Still love it to pieces.

The Stones of Green Knowe, by Lucy M. Boston
As a treat I ordered myself the last book in the series as it was the only one I didn't own yet. Stones is very slight: it's very obviously written as a visit back to the favourite characters in the series (Tolly, Toby, Alexander, Linnet, Susan and Jacob), but has some good descriptions of the construction of the house. It's a nice coda to the series but definitely only as a finishing point for fans.

The Oracle Code, by Marieke Nijkamp and Manuel Preitano
I picked this up as I'm a massive Babs fan, and I like her in a wheelchair and working as Oracle, thanks. It makes her a far more interesting character. I liked it? It was good to see an update of Babs' injury that just removed any mention of the Joker, giving her some of her dignity back in that aspect. I liked seeing an alternate origin story for Oracle, but I was privately disappointed that there was nothing linking Babs and Dick, at minimum, in this time period, simply because the Bat backstory of Oracle is also still important to me.

The Thief, by Megan Whelan Turner
I keep getting recommended this given my deep love of The Goblin Emperor. I enjoyed it, but I had to push through at least 50% of the book to get to where I understood where the plot was going. I suspect I'm going to enjoy the rest of the series more now the story's opened up; the very close perspective of the Thief meant that I spent a lot of time trying to work out when the politics was supposed to pick up. I can see that it'll be a better read on the second time through. The point when I really started enjoying myself was when they broke into the temple; the plot really picked up at that point as I had enough context to start following things better by then.

WolfWalkers
I'd seen the trailers for this last year and I am SO GLAD I managed to watch it. It's just a delight from start to finish. The art style is gorgeous and even though every move of the story was signalled early, it was a pleasure as we reached each point. Mebh and Robyn were both charming and I'm still giggling to myself at the decision to just go "what the heck, her name is Robyn Goodfellowe, please import all trickster overtones and assumptions into this".

I now want to see The Song of the Sea even more.

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Yaaay for having had 2.5 weeks off work. Boo hiss for having to get back to routine. So here we go, what I've been consuming over the break:

Books:

Playing Beatie Bow, by Ruth Park:
This was a reread, but probably the first time in 15-20 years I’ve read it, as prep for the play in April. Things that struck me on the reread – the adult attitude in it is a lot smarter than you’d expect for a teen book. Abigail’s relationships with her parents are far more complex than I recall. The loving attention to detail of the Rocks and surrounds is so present in the book: it’s so situated in the streets and stairs of the area, even as you have to remember that most of the area was burnt down and rebuilt after the 1905 plague, and thus different between the two periods. Abigail doesn’t know this, but Ruth clearly did. There’s always something so special about consuming something so completely situated in its environment; it doesn’t happen often for me living in Sydney, and I appreciate it here.

There’s no real explanation for how any of it happens, but that doesn’t matter, because the story is about Abigail, about Beatie, and about the Rocks.

Hogfather, by Terry Pratchett:
Look, it’s Christmas, I needed a Christmas reread. Plus Susan is my favourite.

The Goblin Emperor, by Katherine Addison:
I pulled this one out after the events in the US on 6 January 2021. It’s a massive comfort read for me and I think I needed to see a successfully quashed coup and the politics of kindness in play again. Let me roll around in your radical kindness, Maia, and the difficulties of your position.

Games:


Stardew Valley v1.5
:
Oh my, I like the new changes. Started a new Beach Farm to enjoy the difference, and it’s a solid map to play on – the small waterable area definitely means that you need to plan differently on playstyle (smaller, more valuable crops; push for purchasing iridium sprinklers fast so as not to waste land on smaller sprinklers; get the Greenhouse up and running). I love being able to randomise the Community Centre bundles as it means that I have different goals – I’d not used fish ponds much yet, but after getting a bundle that required them I had to investigate how to operate them effectively quite quickly. This is a good update, with some of the changes simple things that previously you could mod, and other things (Like the red cabbage button) meaning that you can start a new playthrough without having to test the file first to see what the carts have.

Heaven’s Vault:
Currently finishing up my second playthrough; I started a new game plus immediately after finishing the first game. This is ADDICTIVE. I love the language building aspect and thinking in the symbols of Ancient to work out what’s important to their culture and the meaning of words. I love that the game deliberately ups the difficulty of translating as you go. I love the fact that it’s a plot that takes multiple playthroughs to investigate.

Adjusting to the “single save file, no ability to go back” (unless you deliberately duplicate the file on your computer) method took a little while, as I’m so used to being able to backtrack out of decisions, but it works in this game as it demands that you try again on another playthrough to reach the achievement, and you get different information each time.

I think my third playthrough will probably be a fast one (I’m trying to hit some achievements; I’m not looking forward to shutting off Iox as it means I can’t see Huang), but if I just want to spend some time calming down, I can open this up and sail around translating items.

TV:


The Queen's Gambit:
Oh, I liked this thoroughly. Watched it with M and her fam. The costuming and sets are impeccable for just staring at for hours, and the plot is a massive fantasy while being SO GOOD.

I saw a comment that the director basically didn't engage with the sexism barriers you'd have expected to see in this because as a man he didn't realise what they were, so he essentially wrote a massive female power trip fantasy without realising it - I have no idea if this is true but it makes me giggle.

Also yes I cried quite a bit during the final episode, but they were tears of "oh my goodness they're all there for Beth! And now Beth has returned to her true roots (staring questioningly across a chessboard at an old man using it to fill his time)! And she's just SO GOOD!" rather than tears of sadness.

Bridgerton:
I ended up watching this after donating blood as I needed something that would trap me on the couch without engaging my brain too much.

I can see why a bunch of my romance reader friends noped out of it - there's a whole heap of Romancelandia politics behind why and I could see that - but honesty I watched it as it was pretty and fluffy and I could knit to it and ignore what was going on during the awkward bits while checking my stitch count.

I've been lacking a good "turn your brain off and knit" show so it was really the perfect thing at the perfect time.

MSNBC:

This shouldn't count, but was most of last week for me. Thanks, dubiously legal internet streaming website that facilitated my US election obsession around geoblocks over the past few months. I now have strong opinions on particularly the wee hours of the morning of blanket election coverage from MSNBC, as I was trading off with a Canadian friend, S1, and we would update each other on the shenanigans that occurred while the other was asleep, and so I got all the excitement of 3am-caffeine-highs-no-sleep hosts and then could trade out once daytime coverage resumed.

I would like to repeat to the universe that I set my alarm for 5am last Thursday to get up to watch the procedural performance, thank you very much, as I was looking forward to getting more numbers updates around the pro forma objections, and the handful of Aus political tragic friends who also set their alarms to do the same got the funsies of turning our streams on right as things were starting to go down.

It was a very long day. At least time zones cooperated to allow me to still see the procedural performance once everyone got back to it later on.

Seriously, America.


Podcasts:

I'm listing the new stuff, or the binge stuff, rather than my regulars:

Sawbones:
I finally caught up on the back catalogue of Sawbones just before the new year, so that took me about 9 months or so to work through, among my usual podcast listens. I have many emotions on catching up, but it's been a good companion these past months to knit or game or exercise to. Definitely on the keep list. The rest of the connected universe is less likely, but then I'm there for the topic more than the people.

Gertie's Law:
They dropped the first episode of the new season of Gertie's Law before Christmas and I WAS DELIGHTED. Season two is going to be fascinating as they have so many changes to talk about and for me to nerd out over! Having lived through the NSW legal response, it'll be interesting to hear the VIC legal response, especially with the comparative depths of lockdowns.

I LIVE for smart Australian produced podcasts that aren't just ABC Radio National. MORE OF THIS AUSTRALIA. I still need to find a new political recap replacement for Is it On? because yeah Buzzfeed died, and I just want smart opinionated (preferably female) hosts ripping Aus politics to shred for me because while I do have my buddies to do it with and Andrew Street's patreon is always worth it, I want that dose of happiness back in my ears in chatform pleasethankyou.
 
What a Day/Pod Save America/Pod Save the World/Hysteria/Lovett or Leave It/etc:

Okay, this is all S1s fault, as she and I ended up going hard into 'fascinated debate watching from our respective foreign countries' back in... September? And then she went "so these of the constellation of podcasts are worthwhile" and then I went in hard to work out which ones I like because I am after all a politics junkie at heart (as Cate pointed firmly out to me for the last round of Vic local elections as she thinks I might as well put out my own analysis, rather than just feeding stuff to her and to André when I spot it).

I've definitely got opinions, but it's certainly been useful these past four months having US-based updates to supplement the local news (and which didn't require me to organise US news site subscriptions ugh).
zahri: (Christmas)
2020

Stories published: 8

Fandoms published: 3


Most popular story: Find Out What It Means to Me. Now I'm not SURPRISED this ended up the most popular, as it's the only true chaptered story I've written in a long while and it's the longest thing I've ever finished. I am very proud of it, and even more proud of how well it's resonated for the audience. "Good things come to Yuuri Katsuki" is something I am perfectly happy to write over and over, which amuses me, because my other mode is "and then I traumatised a Vorkosigan character. Again".

Favourite story written: Find Out What It Means To Me. I'm just very happy with it, because I actually managed to sustain a plot, rather than just writing scenes/impressions like I usually do. Also it was a tonne of research and conjecture joined together to try and make a coherent whole. Anything that makes me spend hours digging through websites, laying out timelines and reconstructing scoring for routines is a lot of fun to do (though I later managed to get my hands on the official scoring for some of the routines, and yeah so they didn’t exactly match some of my assumptions, but came DAMN CLOSE).

Best reception: Realistically it’s Find Out What It Means To Me, but The First Blast of the Trumpet has one of my most ridiculous kudos/hits ratios ever, so I’m pointing to that as a commenter raised it, even though the reception is, at best, 7 people. I have a lot to say about Cyclone’s corporate structure in relation to families and parents, I guess.

Favourite underrated story
: From the Outside, It’s Shiny and Glamorous. I can see WHY it hasn't had the reception some of my other YOI fic had, but I certainly put a heap of time into it and it contains some of my favourite paragraphs that I wrote this year. This is getting a podfic at some point next year and I’ve never been so excited in my life. (I realise that the fact that it’s getting a podfic suggests that it’s not actually underrated, but the reception has definitely been below where I hoped it would be in comparison to other things I've written in the fandom).

Favourite title:
From the Outside, It’s Shiny and Glamorous, I think. It’s the only story I’ve ever changed the title on, TWICE, after publishing it (It changed to From the Outside, It’s Shiny and Glamorous; From the Inside, It’s Really Not for a little bit as I was second-guessing whether I was being too subtle on the name; I changed it back as I decided I preferred the original version). Title count was: two song lyrics, one quote from a different canon (John Knox for Cyclone – because being clever with a Monstrous Regiment reference seemed sarcastically apropos), three descriptive titles and two times I literally made a metaphor/quote up to fit the story.

Hardest story to name: Little Chick in a Nest. I just COULD NOT come up with something that worked. Ended up trying to make it a metaphor for Yuuri's training, with Yuuri being cared for in Hasetsu like a little bird, surrounded by everything he needs, contrasting to how Victor saw it, where Yuuri now having to stretch out in St Petersburg. Victor is an idiot and missed things.

Special COVID-19 award: I generally am pretty good about not troubling authors about story ideas, but I Just Want to Wish You Well is ABSOLUTELY the fic that I secretly dream Courtney Milan would see when she looks at AO3 to see if people are writing fic about her series'. I just want to KNOW how she feels about the fact that she’s got a canon where the characters are uniquely well set up in their expertise to talk about COVID.

Commentary: A lot of this year was split between things I wrote in about an hour at work, and things that I spent months pouring over.  Little Chick in a Nest definitely won on the "things I wrote in an hour at work and ended up really popular" front! I suspect it’s due to the subject matter – "Victor and Yuuri fail to communicate and Victor misses signals" is a well explored area in fandom and it was a light fluffy piece, as opposed to the sheer amount of my fic output that is "but how does that REALLY WORK" while I prod at international level sports and how it intersects with the actually reasonably accurate canon of YOI.

Still super proud I now hold the title of 3/3 Cyclone fics on AO3. Might be convinced to write some more when the plotbunnies cluster closer.

zahri: (Default)

I meant to do this last year, but never got around to it, so let’s do 2019 and I'll get to 2020 later in a week or two.

2019

Stories published:  6

Fandoms published: 5

 

Most popular story: You poured out honour like a fountain, all around you – it’s an ATLA fic involving Zuko. I wasn’t prepared for how popular this was going to end up. I was anticipating it would be rather niche, as I thought the appeal would largely be to ATLA fans who also like the Vorkosigan series, but apparently the appeal of Zuko was overpowering. It’s still #1 during 2020 at the time I write this, though I expect it’ll slip to second by 31 December.

Favourite story written: I think it has to be Teach the Children Well, simply because ‘Zahri once again creates an AO3 fandom tag’ is hard to go past (and it amuses me that I’ve now done it twice, with how few stories I have on the site).  Also, this one was just FUN. I got to spend a lot of time working out when certain things occurred during the 90s, matching up timelines, and salting in references. Also, emotionally, giving two people a Yuletide story they’d asked for but not received made me quite happy, as the reception was so enthusiastic.

Best reception: Coming Home. Yes, my ATLA story is more popular, but in terms of how the fandom reacted to it, Coming Home had a better reception. HEAPS of people dropped by to comment on Coming Home, which reminded me that smaller fandoms really are my jam and cup of tea.

Favourite title: Oh god, I hate titles. Probably Teach the Children Well? I don’t think I was particularly clever in any of the titles I used, really. We’re looking at: one song lyric, one quote from canon, two quotes from a DIFFERENT canon (Vorkosigan for ATLA, Shakespeare for Toby Daye), and two simple descriptives.

Hardest story to name: You poured out honour like a fountain, all around you. I knew what I wanted – one of Aral’s quotes on honour and reputation – but I had to go through the books to find something both concise and explicable to people who aren’t familiar with the Vorkosigan series. (The ‘belly button reset’ concept was what I actually wanted, but that’s pretty difficult to convey concisely, so instead I went with Aral telling Cordelia part of why he loves her).

Commentary: I hadn’t expected to go back to writing again, then I was gossiping about meta in comments with Lanna, as we have a tendency to do, and For the Honour of Vorhalas appeared in my head. So thanks, Lanna. Me starting writing fic again was due to you. She’s the cause of three of the six stories I wrote during 2019 (if it’s a Vorkosigan fic, the idea probably germinated during a discussion we had about the series, plus I said “I think Zuko needed to learn Aral’s lessons about honour”, Lanna said “I don’t know ATLA” and then I wrote my feelings out).

Then I was poking around the Yuletide requests for some reason, and saw MULTIPLE people had requested something about Nightcare at Cyclone, and I eventually hammered out Teach the Children Well. And I was back not just writing, but letting other people see it.

zahri: (Default)
I’ve been seeing all these lovely fic posts around tumblr about how nobody’s interpretation of a character is exactly the same, and that’s ok, because we all get different things out of it.

So today, I’m going to tell you about MY AOS!Winona Kirk.

There’s a bunch of fics you can probably point to that influenced my fanon Winona, but she’s not the same as anyone else’s Winona. (I should have written fic about this, oh, 9 years ago. Except I never had a plot) There is a LOT of waldorph, Graduate Vulcan and Atlas in my Winona, but none of it is quite their angles.

When the Kelvin was destroyed, Winona Kirk went home on parental leave, to spend time with her two sons.

Winona was a language and cultural analyst. Useful on board a Boldly Going ship, as her job tied into diplomacy and communications. She was also a Section 31 spy.

Starfleet realised, when the Kelvin was blown up by secret Romulans, that they needed to get better at finding out what was going on with the Romulans that nobody had seen in person, until that moment, for decades/centuries.

Winona Kirk became one of their Romulan experts on the basis that they really didn’t have any yet, and she was motivated. She wanted to figure out WHY her ship had been targeted. She was based on Earth a lot in the first 5 years of Jim’s life – tracking stories of the missing Romulans, doing cultural analyst and threat analysis work, becoming fluent in the language, learning about the various super-secret spy agencies.

Winona helped overhaul the teaching of Romulan language/culture to Starfleet officers. Sam and Jim were somewhat test subjects in this. Sam and Jim grew up talking Romulan at home as much as they spoke Standard, just because that’s what got spoken around them and Winona needed to practice. They also pick up a chunk of Vulcan, because as noted, we are talking all the fun of the melting pot of various Starfleet, Romulan and Vulcan spy agencies here. Winona worked from home a lot with two small children on a rural property, so with the shipyards nearby, plenty of Starfleet personnel, including quite senior ones, could drop in to see her if necessary and hand off data. They were just dropping by to give their condolences about George, after all.

(Yes, there was a Starfleet spy ring running out of the Kirk Iowa farm)

(Sam and Jim made excellent props to distract people from Winona. If she was wrangling childcare, or accompanied by a Small Bright Child with Adorable Language Skills, many people did not pay attention to what Winona was actually doing)

As the kids got older, though, Winona was able to travel more, and got deployed out for analyst work across Terra or in space. Some of it on ship. Some of it at interplanetary meetings and negotiations, on briefing duty. Some of it on Vulcan. Sam and Jim were generally left behind, because when your job was tracking secret Romulans through the seedy underbelly of space, taking primary-schoolers with you to the planet where they can’t run or breathe, or on shipboard where they are not allowed to be during the 23rd century, is a Bad Plan.

Jim ended up on Tarsus IV after the car incident because Winona was on deployment and SOMEONE needed to keep an eye on the kid. So Hoshi Sato threw her hand up to support Jim’s language acquisition skills and took him to Tarsus.

Winona was in high level meetings, tracking Romulan threats, when news of what went down on Tarsus came through. 

Winona was ready to kill for what happened to her kid.

When Jim gets to the Academy, the expectation is of course that he has to take a language. They’re largely full, as he’s so late registering, and he’s got limited choices left. He looks at the course guide, realised the texts set for Romulan were ONES HIS MOTHER HELPED WRITE and noped the hell out. Nothing in there is new information. They tested that shit on him as a kid, while writing the texts. No point in even taking the advanced courses… because he knows all those professors. One of them lived with them for 6 months when he was 9 to become more fluent. Taking those classes is just going to be SUPER embarrassing.

 Jim takes Vulcan instead.

(This is good for the rest of his career and his eventual marriage. But really, he just didn’t want to deal with everyone talking about his mum)

zahri: (Default)
When they announced the release of (almost) all the Studio Ghibli films at the start of the year on Netflix, I decided I wanted to watch them all.

Initially, the aim was to get through them all in the month they were released, but as you may notice, it's now November, not April! A few little things interfered, like university studies and getting rather ill in April/May and oh yeah a WORLDWIDE PANDEMIC.

I'm not sure I can rank them completely in order of how much I liked them, but I can definitely pop them in categories. And no, I do NOT agree with the Guardian rankings, though I did find them useful for when I was working out which to watch next.

The Fantasies

These are the movies that you think about when someone says 'Studio Ghibli' or 'Miyazaki'.

I think Spirited Away remains my overall favourite of this genre. It was probably the first of the Ghiblis I ever saw, when it first came out, and it remains a complicated, complete story on its own.

Next I have to put My Friend Totoro and Howl's Moving Castle, both for their rewatchability. Howl is not a perfect adaption, by any means, but it's a very strong spiritual adaption, and the joy intermixed into Totoro with the art makes it so easy to return to, over and over.

Ponyo and Kiki's Delivery Service are next, with both magical for the way that their towns interact with the magic around them. They both remind me how down to earth and PRACTICAL and working class Ghibli gets, even as they're making magical mystical stories.

Princess Mononoke affected me somewhat less than I was expecting it to, having never seen it? I LOVED the forest around the story, with the spirits and the heart of the forest. It was still probably my favourite of the heavy environmentalist messaged films.

Nausicaa of the Valley of the Wind 
and Laputa: Castle in the Sky - I feel I have to talk about these two together as there is a LOT of overlap in the storylines. Nausicaa clearly was referenced in Chrono Trigger, which makes me feel more generously towards it, but they both suffer from heavy handed messaging and minor characters being lightly drawn stereotypes painted with very broad brushstrokes. (Also Pazu in Laputa irritates the living shit out of me). There's a couple of scenes that stick with me (The garden in the eponymous Castle in the Sky; the tree caves in Nausicaa) but all in all they're not top of my rewatch list. I think I lean slightly more to Nausicaa over Laputa.

Tales From Earthsea is interesting in that it is contextually set in such a complicated point in the Earthsea narrative, while lacking so much of the surrounding context. I can't in good faith call it a good adaption, and I'm fully aware of Ursula Le Guin's issues with it, but where I think it really falls down is that it just doesn't put enough time into supporting the backstory for why certain things happen, leaving audiences to guess (badly) from context and book readers to sigh in aggravation over what's missing.

Arrietty - It's actually a reasonably faithful Borrowers adaption, to my memory. It's also boring. Come for the highly detailed and accurate botanical art and doll set, ignore the plot.

Country Life

Surprisingly, my favourite here is Only Yesterday, and it ranks pretty much at the top of the 'real life' side of the movies. I found so much in it to relate to as a single woman in her 30s, making decisions for herself and casting off the need to follow the opinions of others. The conflict between the dream of a treechange and the reality of it is I think a message very apt for current times and something I relate to more this year than I may previously have done.

When Marnie Was There is the ghost romance you know can't end the way you want it to, but pulls on your heartstrings anyway. Can't believe it ended up one of the last I watched.

The Wind Rises - okay this is more a historical, but fits in here too somewhat. Better than I expected? It's like the bits I actually enjoyed from Porco Rosso got their own movie, though still not enough women for my taste (downside of historicals).  

School Kids School Kidding Around

Whisper of the Heart was the most solidly memorable of these school romances, keeping its slight fantasy tendencies firmly in dream sequence check. Watch this.

From Up on Poppy Hill has a FEW too many coincidences in it to straighten out the end of the plot and escape what is suddenly turning into a bit too much surprise-incest for one story, but it's beautifully drawn anyway.

Ocean Waves was a journey, but definitely a romance where I felt one party was taking severe advantage of another. It was a well drawn, complex relationship heavily impacted by backstory, but I think this was one relationship that needed to stay firmly in high school.

The I'm Just Here For the Art Fairytales

I fell in love with the art style of The Tale of Princess Kaguya the first time I saw it and it remains some of my favourite art Ghibli has done. So much to empathise with here. From reading around the mythology, it looks like the ending wasn't particularly sanitised, and in a world where Disneyfication is a thing, I appreciate it, however oddly jarring it seems in some way.

The What Was I Watching?? Category

Skip The Cat Returns or if you ARE being completionist, try to watch it a significant time after Whisper of the Heart, rather than immediately afterwards like I did, because the animation differences will drive you batty. (Also ignore every hint that the plot is a sequel and you'll feel better). It's bizarre and the transformation of symbolic characters into the main drivers for the plot doesn't work. Don't make Minions movies, studios.

Porco Rosso was... a lot. With very little that I found to latch on to in it. Probably the best bits were Fio and Gina, and Gina needs to move on, and Fio's an engineer, so why I liked her was downright obvious. The rest of the plot was so so at best.

Pom Poko - I hope this movie makes more sense with some cultural understanding that I'm missing? I found the combination of absurdist humour and heavy handed parable a bit too much, honestly. I don't think I even managed to latch on to any characters here.

My Neighbours the Yamadas I think would work better as a series of 3-5 minute shorts on TV, rather than as a whole movie. I can see how it was a studio training project. The different art style is interesting, but due to the fragmented nature of what was being shown, I never really started caring for any of the characters.
zahri: (Default)

Title: Find Out What It Means to Me
Author: Zahri
Fandom: Yuri!!! On Ice
Rating: G
Summary: It’s Japanese Nationals. Yuuri is focused on trying to redeem himself in the eyes of the Japanese skating community after last season’s performance. The Japanese figure skating community is focused on the fact that their Ace is back on top with a World Champion fiance.

(How to feel like you’ve won respect when everyone already respects you)
Welcome to currently the thing I'm most proud of in the YOI fandom. I think I finally managed to find a balance point between the stories I wanted to tell (basically rolling around in elite athlete coaching and competing emotions) and stories people want to read (all good things coming to Yuuri).

I'm realistic that From the Outside, It's Shiny and Glamorous is wayyyyy too far over in the coaching end of things to truly appeal to a lot of people, but it was me working out a lot of emotions about some of the narrative jumps over competition issues taken to allow the story to flow better. And YOI is a fandom where I've been acutely aware that Your Average Fan's interest in sport is at the 'sportsball??' end of things, rather than 'let me explain to you in detail all about my favourite sport and how it all works'.

So I'm feeling old school about this fic and I wanted to DVD commentary it, because I want to take note of what I referenced for my own sake when I go back to it later.

(Also if you picked up any of this, go you).

DVD Commentary Chapter 1 )

Chapter 2 )

Chapter 3 )
zahri: (Default)

There was a ten favourite characters from various fandoms meme going around, and I wanted to do it. Then I realised I wanted to justify it. So I posted here.

1. 
Vorkosigan Saga – Cordelia Naismith Vorkosigan

Reasons I love Cordelia: her sheer determination. The way she manages to navigate an alien culture and its rules yet still remain herself. The fact that she continues to have personhood and establishes ways to work within the system she’s presented with to get her agenda to work.

That time she sat Drou and Kou down and made them SQUIRM to get Kareen permission to take ‘an option’ on Mark, which I regard as the best pay off in the entire series, even more than the dinner party.

 

2. Rivers of London – Sahra Guleed

Reasons I love Sahra: Muslim ninja police officer! I love that she looks at what Peter has, rolls her eyes, but sought her own path (via Michael). I love her attitude that if magic is real, she doesn’t need to become a spellcaster, with all the imperialist baggage of the Folly, but she absolutely is up to learn how to magic parkour and fight with a sword. I love that she chooses the demi-monde, and continues to choose it. I love every time she rolls her eyes at Peter when they’re out on a job together and the two of them are just so over the assumptions (and then due to Magical Shenanigans Sahra gets stuck with the less appealing job AGAIN).

 
3. Star Trek Discovery – Sylvia Tilly

Reasons I love Tilly: She walked into the cabin in Episode 3, tried to explain to Michael that Michael had stolen her bed and that it was a problem because her sheets are very particular, and I looked at her, saw she was likely autistic, and fell head over heels. Tilly said she was allergic to normal sheets because she has a TEXTURE issue (and honestly? Having seen some of the fabrics they’ve used for bedding in Star Treks over the years, I would cringe away from many of them too). She’s bright and excited and determined. She’s a bit too loud and makes social faux pas and has a past she’s trying not to fall into and a goal she’s running towards. She’s seen some of the terrible sides of herself and had to face up to the idea that her brain has betrayed her, and come out the other side stronger and still idealistic. I definitely find myself identifying with her and I wish I’d had her in my own teens and early twenties.

 
4. Discworld – Susan Sto Helit

 Reasons I love Susan: Her practicality, devotion to science, lack of belief in the supernatural (even though the supernatural believes in her) and determination to make the magic of the world she inhabits useful and accessible for the children she cares for. Susan is ‘good with children’. Society and the Disc and the magic of the Disc have told her that she should and has to be one way, but she forges her own path anyway. Also she has the BEST girlie moments when she lets loose and decides she just really wants to be feminine right now. (Also she’s dating the PERSONIFICATION OF TIME and she is the back up avatar of Death. I love her so much.

 
5. Galactic Milieu – Rogi Remillard

 Reasons I love Rogi: the universe doesn’t ACTUALLY have it out for Rogi. He just has an (overly) helpful great great nephew who doesn’t always bother to explain his plans. Or intentions. Or the reasons for anything. Rogi’s the character that stared down head on all the disaster and trauma that the Remillard family has faced, and he cared for and loved and socialised generations of little fey nephews (and a few nieces) who felt disconnected from the society around them, and taught them how to love, how to care and that they always had a home. Unlike most of the family, he presents very quietly, just running his bookshop, while being the heart of the family in a way that outsiders seem to miss.

 He taught Denis and Severin and Marc and Jack and Dorothée and so many of the other kids how to be human, to be a good person, to stand on your own feet in a world that doesn’t understand you and seems so foreign and terrified of you. He’s always ready (with a few complaints) to go and try to save the universe again. He’s the hug and reassurance at the end of the quest; the person who will always go that little bit further if you ask. He is sceptical of Unity and has always held himself outside of metaconcerts whenever possible because of his fear of losing his identity and self within them, and everyone younger than him (which is… everyone bar the Lylmik characters) simply don’t seem to appreciate. He doesn’t want his head sorted out and people interfering with his brain. Staying away from metaconcerts is a protective instinct that has saved Rogi’s life on numerous occasions, because he’s seen and lived the horrors of how it could go wrong since his early teens. (Like: Donny AND Victor AND Fury all tried to kill him and/or subsume his personality via metaconcert over the years. I think he’s allowed to be avoidant)

 He’s just a gorgeous crotchety old man (who isn’t as grumpy as he presents) who is fine with the fact that he has never received recognition for exactly what he’s done (and only wrote this memoir because Unifex ordered him to).

 
6. Harry Potter – Ginny Weasley

 Reasons I love Ginny: Ginny is a fundamentally mid 20th century Girl’s Own/Boy’s Own character and I love her for it. Yes, she’s set up from the very first chapters to end up with Harry (she’s the first girl he sees; she shows him how to enter the magical world via Platform 9 ¾; she’s his best friend’s little sister. I love Harry and Ginny’s dynamic as much as I love Wally and Norah’s, and believe me, I love Wally/Norah a RIDICULOUS amount: it’s my favourite relationship in all of Girl’s Own literature). She’s a fundamental British archetype of a character (the bright sporty girl – the sort of girl who ends up going up at Awards Night for academic AND sporting achievements and is probably also in the choir). She quietly faced personal trauma in CoS and fought back against it as best she could. She’s got her mother’s temper and her father’s drive to make things work. She’s quietly battled social isolation and is still happy to be friends with Luna, despite the fact that this might drive others off. She effectively guilts Harry and her brothers on their nonsense when she sees it. She’s important to me in so many ways that I think Hermione is important to other women my age: no, she’s not loud and openly campaigning like Hermione is, but she learns within herself how to fight back and to stand up for herself and face her past trauma. She’s kind and thoughtful and devoted and sarky. Loudly rioting in the streets is not what Ginny is about, but she could and did drive the staff of Hogwarts in Book 7 to the point where she had to hide for her own safety and undertake vigilante missions at night.

Personally I have no doubts that Ginny went back to Hogwarts the next year and was Head Girl and took Os and Es in her NEWTS, while championing Gryffindor to win the Quidditch Cup again while multiple teams approached her to ask if she was intending to keep on playing in the National leagues.  

Yes, she’s Harry’s story ‘reward’, in that marrying her cemented a truth that was always there – Harry desperately, desperately wanted a family to love him, and the Weasleys took one look at this undergrown, neglected child with wild hair and oversized, faded hand-me-down clothes and went “you’re one of us now”. But the relationship was an agreement BETWEEN the two of them. The bedtime story of the Boy Who Lived who Ginny fell for as a kid transmuted over time into the damaged, devoted man she married, and she chose him again and again over that time; through everything that happened and the more of his personality she understood.

 
7. Chronicles of Narnia – Lucy Pevensie

Why I love Lucy: The image of Lucy Pevensie standing by the lamp post, marvelling at the snow is one of the earliest stories I fell in love with. I love her determination and stubbornness and self-belief. I love the way she is always ready to accept new folk/creatures as sapient and equally worthy of respect. Lucy very rarely doubts herself, and when she does, she works through why she feels that way and solves the situation.

I also love that she grew up wild and she grew up in a very different culture to wartime Britain and that fundamentally for every book after LW&tW she is no longer a Good English Girl. All four of the Pevensies had to face puberty twice, with memories and experiences of adulthood; Lucy out of all of them was shoved back to facing pre-adolescence for a second time, not just puberty. Susan coped with the pressure of a society that told her all of her previous experiences were wrong by working out exactly how to conform and play the game and appear to the public as a Proper English Woman as if her past didn’t exist; Lucy, in many ways, no longer had that early childhood to reach back and assume, and so learnt to be a Good Narnian Girl who didn’t offend English sensibilities TOO much.

 
8. October Daye – The Luidaeg/Annie

Why I love The Luidaeg: She’s just so tired and constrained, but she keeps fighting anyway. The Luidaeg’s the oldest and most prominent of Maeve’s daughters who hasn’t been hunted down under Titania’s orders. She is so tired of being used, but is so ready to accept family members who WANT to be related to her and treat her with respect (see why she loves Captain Pete). She was so ready for Toby to be yet another disappointing relative, and bound her in debts so that they had to remain polite to each other. And even now, she and Toby continue to make sure that there is at least one debt lying between them for protective reasons, as whatever they may be forced to do, they must acknowledge that debt, which keeps them together.

I think the book that truly crystallised why I love the Luidaeg is The Winter Long. The weight of her bonds and her determination are so clear in it, and the scale of the power she’s holding back. My particular loves are: “You’re a thirsty little vampire when you want to be” and “You are my niece and I am your aunt, and when you ask my help, it is within my power to give it.” She feels and acts with the power of the cold, rising tide, but that lurking power is more binding than that which Evening holds. She is water and blood magic (and that pearl encrusted chest is a hope chest variant, I am CERTAIN of it)

(It all comes down to the blood)

 
9. Star Wars – Luke Skywalker

Why I love Luke: A long time ago in a galaxy, there was an ace icon. His name was Luke Skywalker. I love Luke because he’s a hero who doesn’t have and doesn’t need a love story. He’s devoted and determined and the irony of the universe is that part of the reason that Anakin and Luke are Those To Bring Balance To The Force is that they were BOTH born in the wrong time and place: Luke would have fit in as a Jedi during the Old Republic with no issues, and Anakin would have happily run around blowing things up with the Rebellion and gotten married without any problems.

Luke is, fundamentally, a Good Person, who continues to do the best he can and the right thing under impossible situations.

 
10. Les Miserables – Cosette

Why I Love Cosette: the first time I saw a production of Les Mis, I was nine years old. I imprinted on Cosette early and I imprinted hard. Yes, she’s constrained by her circumstances, but she’s not as light and flighty as everyone makes her out to be. She’s faced her past, learned to live with it, cares deeply about her adopted father and is willing to risk many things to help protect him.

Of course she doesn’t want to go back to a life of hardship, but she was a charity case up until she became an adult (she was educated at a convent and came out with Respectable Marriageable Homemaking Skills. The fancier-background girls there absolutely would have known she didn’t have the parents they did). She’s determined to make a better life for herself and to fulfil the respectability that Jean has always treated her as having. She’s straddled a bunch of different class structures over her years growing up and copes with those differences. And she GETS her happy ending, unlike pretty much every other character.

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The Old Guard: hello

Me: oh look a visual medium fandom I’m willing to indulge as canon is short enough

 

The Old Guard is the perfect little fandom that’s blowing up. It has ALL the moving parts to make it get huge.

 

  1. A central M/M pairing where the fandom isn’t going to largely bother having ship debates over it (this is not 100% necessary, but fandoms that eat fandom often display this sort of setup. If everyone can jump on the same train and write the same pairing, the fic accumulation goes crazy)
  2. It has at least a dozen separate ‘Hi Highlander fans’ hooks that are ready and waiting to catch older members of fandom. If you’re not watching it having Methos feels, I Am Astonish.
  3. I could expound on the Andy Feels Like Methos’ Big Sister theme a lot more, or I could just point out that she’s ALSO covering Ye Olde Buffy/Highlander Crossover Territory where Buffy is the Immortal First Slayer. Look. Andy is a trope I LIKE and I am here for her.
  4. Equally in the 90s crossover territory, I have a LOT of Xena feels about Andy and Qunyh.
  5. Like, this entire movie is pretty much 2020 bait for everyone nostalgic for some good old 90s fandoms.
  6. I assume it’s been written deliberately as such.
  7. Additionally I enjoyed cooing at the movie “Hello The Operative” so we are also deliberately hooking in the Firefly/Serenity fandom, as seriously Chiwetel Ejiofor did not bother coming up with a new approach to ‘agent designated to hunt them down’.
  8. Astonishingly this is happening in July, rather than during Yuletide Nom Season, so we have at least sidestepped that nightmare this time around. (Lucky Morbane)
  9. This is just me, but I spent the entire movie thinking his name was “Booger” as none of the characters knew how to enunciate and only discovered it was “Booker” after looking at fic. Surely I’m not the only one. (Me on finding out – Seriously Rucka you are not being subtle here)
  10. I love Nile. I love her so much. She’s competent and a great viewpoint set of eyes to the group and I want more from her about her Baby Immortal Life.
  11.  Evil Pharmaceutical Tech Bro (I assume he has a name, I didn’t bother learning it) is a very 2019 villain. I’m not 100% convinced Evil Pharma Martin Shkreli Expy is exactly what the world needs during 2020, but he’s Very Current Relevant for when the script was written. In any case, could he have snivelled more?


Basically, if every fan I know over the age of 30 or so is NOT already on this train, I expect them to hop on shortly, because this is a shot of nostalgia right to the brain stem.

 

Honestly all I want from life right now is some quality Highlander crossover that involves Andy, Quynh and Methos, preferably with some Four Horsemen, Darius and/or Rebecca content. Someone writtteee itttttt. Andy and Quynh v the Four Horsemen absolutely happened. 

 

(Yes Joe and Nicky are adorable together but honestly I’m here for the women. I think the two boys will be most bearable in small doses)

 

(I also expect the fandom to develop heavily into AU fic about them well out of canon context, it’s a pairing that has THAT FEEL to it)

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 Part of me really really really wants to write a cycling-AU for Yuri on Ice, but there are a bunch of things preventing me.

 

  1. Outright shame: while I’m not particularly close to any riders, I do know a bunch of the commentators well enough and they know who I am so that SHAME SO MUCH SHAME.
  2. You write this and you have to write commentary for it. (Me, doing the eyes sideways: …I’ll just pretend Phil & Paul are doing the commentary, all right? Everyone good with that? We can all have a little cry over classic Sherliggettisms together. Because I refuse to write Ooroosport Hatch and Kelly commentary, Ant is an absolute sweetheart but doesn't have a regular commentary partner, and if I write Robbie and Keeno it's just going to be a stream of in-jokes involving highlighters, the grapes are a lie, and going for a swim. Though using Keeno's Tinkoff Medal calls would work for The Kiss)
  3. I just spend half my time matching people up and chuckling to myself.
  4. *stares at cycling* Sooooo my equivalents to use as analogues for Victor are:
    1. Voldemort (no) (no no no) (fucking no)
    2. It's Victor Nikiforov. Spelled M E R C K X. or possibly H I N A U L T. But probably M E R C K X.
    3. I have to write him on Sky/Ineos (eurgh).
  5. Okay, LBR, It's Nikiforov, spelt F R O O M E. Georgi is spelled either T H O M A S or R O O M I E. (Spelling it R O W E is inaccurate and the wrong sort of shadow) Right at this second, Plisetsky is spelled B E R N A L.
  6. "Nikiforov loves to surprise audiences!" [running up that hill] [the breakaway with Sagz in the same tour]
  7. Okay, yes I could write Victor as Sagan, that also works, particularly jerseywise, but sprinter -> road captain is not a standard move. The level of extra is equivalent though. Victor personality-wise in public is a bit of a sprinter.
  8. … Actually, commentary injoke that works amazingly: Leroy = the Roche/Martin dynasty. Poor JJ – everytime someone brings him up we have to discuss Alain and Nathalie's results. And his siblings results.
  9. Chris = Fabian Cancellara. Yes, everyone, Chris is Fabs. Unless Chris = the French housewives favourite, Thomas Voeckler. Jokes jokes.
  10. I mean I guess Chris could also = Marcel Kittel. Damn. Too many cyclist jokes to make. Heck, even FS!Chris could easily be sponsored by Alpecin.
  11. Otabek is obviously currently on Astana. Duh. Though he's one of those riders who moves his contract around every 1-2 years.
  12. Phichit and Yuuri are on BMC. With the usual BMC lack-of-support issues. Yuuri's changed teams this season, due to this, as Trek has just been established. Nikiforov rather than coaching is doing the Road Captain Jensie over at Trek, despite not being Jensie. [Phichit still wins like one stage and then disappears into the 'oh what might have been' of BMC. Maybe Phichit is Tejay? MAYBE YUURI IS TEJAY??? Tejay why you gotta rip my optimism out of me every single season by underperforming?]
  13. I cannot think of a mess equivalent to Movistar to translate onto. So we just have #freelanda running alongside everything else.
  14. What's going on with the Wolfpack? Quickstep are busy winning all the Classics. They're not planning to spend 17 stages trying to defend a jersey they're going to lose because one of their riders is being stubbornly awesome (hi Alaphilippe I love you).
  15. Okay Mickey and Sara could be the Schlecks. Sara is Andy. Mickey is Frank. Both of them forget How Does Riding Work at the first hint that the other is not around.
  16. …The other option, if I want a team with both a solid Men's and Women's team, is that Mickey and Sara are sorta the Yates twinnies? Except Mickey is Simon and Sara is Adam while simultaneously being …Gracie Elvin, let's say. And I'm definitely not saying Adam and Simon have the Mickey-Sara dynamic. Why they are over at Orica-Michelton-Scott-Edge instead of an Italian team? Because twinnies)
  17. …Yes, this makes Emil's equivalent Christopher Juul-Jensen. Loveable pranksters for all. You're all welcome.
  18. I realise this is a horrible hodgepodge of seasons and teams, but oh well.
  19. Still giggling to myself at Leroy = Roche and Chris = Voeckler.
  20. … FAARK. Oleg Tinkov is Plushenko. Yes. Yes he is.
  21. With that in mind, Nikiforov very much could = Sagan.
  22. I'm going to go die now.

zahri: (Default)
Just realised it's 6 months since I dipped my toes into Yuri on Ice fandom, and I'm still happy that I was steadfastly distracted during 2016-2017 when it was the fandom that ate fandom.

Firstly, the reasons I find it so engaging are not the reasons it ate fandom, and secondly, I can't imagine it would have been particularly mentally healthy for me to engage with it in 2016-17.

When the anime premiered I was still recovering from 6 months of a post-viral infection that was likely indirectly due to the fact I had had to quit competing and coaching in my sport at the end of 2015. I was still in the process of 'safely putting on weight' while talking to a dietician friend about whether or not I actually needed to get formal treatment for the case of triad I had. (Answer: mentally I was aware of the issues and trying to deal with them, and I was putting on medically necessary weight, so it wasn't really worth putting down all the money for specialist appointments) I was also still recovering from being mired in national-and-international level political sports bullshit due to my coaches.

A sports anime about quitting elite level sport, with a fair amount of rhetoric about weight gain tied into it, and the struggles of coaching when everyone was asking whether or not you should be competing? I don't think I would have been in a great place.

(Hello yes, post-viral infection that was basically the nail in the coffin for me over moving clubs and trying to get back into things. No six-months-off to get into a healthier mental place for me before trying to return to competition when I could no longer even run 5k without collapsing from exhaustion, let alone spend 15-20 hours a week in the gym. If a club would take me. Due to politics. I'd got a half-way yes from one, but it was only with friends in the club begging and promising that I wasn't personally involved in the political sports bullshit, just an unfortunate bystander, and I'd had to turn it down as I refused to abandon the kids I was coaching halfway through a season).

Yup. As much as I enjoy soft boys being soft and smitten with each other and the tiny teenage ball of rage, my true obsession with Yuri on Ice is in the fact that's a convenient overlay of elite sports bullshit in a sport that is Not My Sport (but close enough that some things parallel very nicely), and I can have feelings about it all safely.

I'm here for the fic about skating. About the following season, and Victor trying to cope with coaching and competing simultaneously. About the skating politics and coaching methods, the canon-divergence AUs about other pathways Yuuri's and/or Victor's careers might have gone through.

I have a half hour long rant in my head that starts 'most of this fandom has never trained at an elite/high national level in a sport and it shows'. I can't be perfect myself on 'what combos are possible/likely' and 'how do you train this particular move' as figure skating is again, Not My Sport (though I've now researched enough and read enough from people who do know to manage a fair stab at the basics), but boy do I know my way around choreography, rubrics, scoresheets and judging panels after decades of experience (I've sat as a judge myself) and so I enjoy any moment those who know better than me get into 'X was under/over scored AND HERE IS WHY'.

(I mean, I also enjoy timetravel/soulmate/deeply-in-love soft boy nonsense, but then I am and have always been soulmate first-love trash. But I can get that elsewhere)

...This all goes to explain why the first thing I published in YOI fandom was basically a fictionalised rant about coaching and competing simultaneously, with a side look into my cycling-fan-trained response to any situation of 'and how does anti-doping feel about what you just did'?

Seriously. A fandom that heavily involves Russian athletes, is timeline structured to easily cover the Pyeongchang Olympics, and I can count the number of stories I've found that even acknowledge Anti-Doping Is A Serious Issue on two hands? And then mostly focus in on Yuuri-taking-anti-anxiety-medication, which is something he doesn't even need a TUE for? PLEASE.

(Now. If only the fandom had an agreed method of marking AU fic that was widely complied to. Yes I know I've spent too many years in and out of Jane Austen fandom, but marking all the stories by the time period/style they are set in is A Good Thing for my ability to filter, particularly when there is only 2-3 catchall terms to exclude. Just like you're going to have to make me work to read a P&P Modern or Other setting story, I just want an easy way to filter out all the goddamn regency and royals AU nonsense fic without having to individually exclude around 3 dozen different tags)

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This is not a list of ‘the best fics I have ever read’. Or even ‘my all time favourite fics’ (though a bunch of them also would qualify as same). This is more a listing of ‘those fics/series that have absolutely stuck with me, and I find myself going back and rereading them’.

In no specific order (vaguely organised by when I fell in love with them, perhaps?):
 

After the End, by Arabella and Zsenya. (Harry Potter)

Yes yes, the grandmother BNF fic of the Ron/Hermione fandom. It’s a post-Year 7 fic written pre-OotP. It’s good. It was interestingly speculative. Reading it gives you a solid insight into some of the tropes and speculations of the Three Year Summer from the OBHWF side of the fandom. But honestly? The reason it’s on this list is for Chapters 27 and 27 & 3/4. Two of the best chapters of Quidditch that have ever been written, in my opinion, and “Harry Potter is happy.” is guaranteed to make me cry every time I read the line.

Some days I need to be reminded what good journalism is, and why I love Harry and all the Weasleys. 27 and 27 & 3/4 remind me of that.

Okay yes, and the line ‘Neville turned left’ still makes me sob like a baby. But that’s a bit harder to reread.

 
Bagenders, by Lady Alyssa and Random Dent. (Lord of the Rings)

This one is only accessible by the wayback machine these days, I believe.

Lord of the Rings fanfic! Is it in character? Not really. Is it a Modern!AU, something I generally hate? Yup. Is it still hilarious and do I still quote bits of this series? Hell yes.

The Fellowship all living in a three bedroom semi together, immortal, and getting on each other’s nerves.

I’m here for ‘All Hail Delia’ and the Christmas stories and mince pie freezer tetris and ‘Vadko’ and the weird knitting circle of old ladies obsessed with Master and Commander.

  

Lust over Pendle and sequels, by AJ Hall. (Harry Potter)

I couldn’t do this list without an AJ Hall story, and Lust over Pendle narrowly edges out the Sherlock contenders in the ‘I will spend a rainy weekend rereading these’ stakes.

Yup, it’s that fic that everyone introduces to you as “the Harry Potter mystery series set in a tiny Wiltshire village called Malfoy Intrinsica  …yes it is that Draco/Neville fic, why are you running away? I promise it works!” I should hate it, given my dislike of Draco Malfoy and the strand of Weasley-bashing that runs through it, but honestly it rises above those automatic nopes for me.

Draco Malfoy in this fic isn’t actually canon Malfoy, but he’s not completely LeatherPants!Draco either (though he has many of the snark tendencies of same). Draco has the problem that a lot of British aristocrats have: his family estate is extensive, cash-poor and in desperate need of structural repairs. Neville has a problem: his extended family remain deeply useless, underestimate his abilities constantly, and several are deeply disapproving of his relationship with Draco (on the ‘he’s a guy’, ‘he’s a MALFOY’ and ‘wasn’t he working for You Know Who?!?’ axes in about equal proportions). Together with Hermione, they hatch a plot to solve the first problem, only to be caught by the fall out from the second problem. Dissipation and Despair introduces the Rev. Peter Blakeney, as what is the genre of cosy British mysteries without the local helpful vicar? (I love him).

Intensely British, always heavily researched and set in their landscape, and just plain satisfyingly GOOD. If you like Dorothy L. Sayers, or you like the writing of people who like Dorothy L. Sayers you will probably enjoy this.

 

Graduate Vulcan for Fun and Profit, by lazulisong. (Star Trek XI)

You can try and tell me that this isn’t actually canonical, and I will ignore you.

Jim Kirk was the youngest crew member of the USS Kelvin, and every other person who survived the voyage likes to remind him of that fact. And keep an eye on their adopted nephew. This causes Jim some issues, as he would rather not have 300 terrifying Starfleet aunties and uncles poking their noses into his business. He’s especially not thrilled when, due to signing up late to Starfleet because of Pike, he finds himself stuck in Vulcan 101, as all other language options are full. Unfortunately for Jim, the professor teaching the class happens to be one of those interfering Starfleet uncles…

All the Bridge crew are here. It’s delightful, it’s heart-wrenching, it’s highly quotable, and best of all, it’s Tarsus fic.

 

The Sith Who Brought Life Day, by ophelia_interrupted. (Star Wars: OT)

This is an annual Christmas reread for me.

A couple of random Imperial officers make a bet that leads to one of them frantically researching to figure out the biggest mystery in the Galactic Empire: who was the pilot who blew up the Death Star? That officer then has to go and tell Darth Vader the results of his research.

The outsider point of view of the story is what makes it so good to go back to, time after time, because the audience knows what’s coming and the POV character does not. It’s the ultimate squirmy ‘I know something you don’t and it’s killing me to keep the secret’ story, with a killer last line.

 

Incident Report, by K’Sal. (Star Trek: TOS)

Kirk and Spock have to write incident reports about a conflict that has occurred aboard the Enterprise while they are hosting negotiations for two hostile species they have encountered. Both of them are leaving a lot of details out of those incident reports, which is gradually revealed through the fic.

Purely on my list as it’s my absolute favourite all time ‘no really, K/S are secretly Vulcan married. Except they’re also concealing it from EACH OTHER’ story. Those doofuses.

 

Petyaverse, by Lanna Michaels (Vorkosigan)

You want me to choose between my children? Then it’s definitely the Petyaverse, above and beyond any other Vorkosigan fic. If I had to pin down one particular fic, it’s probably either Asylum, which is the start of the Escobar AU split (it’s the ‘I doubt the existence of the Emperor’s honour’ conversation that does it), or A Child’s Winterfair On Barrayar, though be fair the former works well enough on its own as long as you understand the concept who Petya is, whereas most of the joy of the latter comes from knowing Petya’s deeply, deeply broken perspective on the universe and seeing it in a 6 year old.

Piotr Pierre Vorkosigan is the big brother Miles deserved.

Epic, sprawling, full of internal AUs and an ever-expanding timeline, Lanna will stab you through your heart with a knife when you least expect it. I’m still waiting for the fic where Petya actually goes through with his constant threat of marrying the nearest respectable High Vor woman to obtain a Proper Heir and then angsting for approximately 80k over the fact that he gave his wife permission to ‘seek affections elsewhere’ so it’s not cheating, but he’s still too noble to do so himself. (Whichever AU it is where Petya marries Alys because Padma asked him to – I think it might be Escobar? – DOES NOT COUNT due to it sidestepping the majority of Petya’s angst).

 

The Stone Gryphon, by rthstewart (Chronicles of Narnia)

A Narnia series set in England during World War 2, looking at the impact on the Pevensie siblings being adults in children’s bodies, featuring a lot of Digory Kirke and Polly Plummer and adding Eustace and Jill once their Narnia adventures occur? Yes please.

Peter is sent to Oxford over the summer to study with Professor Kirke in anticipation of his upcoming university entrance, where he meets colleagues and friends of Digory’s who are palaeontologist archaeologists. Susan goes to Washington DC with their parents and ends up involved in the SOE spy ring operating over there. Edmund and Lucy have been dispatched to the Scrubbs for The Dawn Treader to occur. While there, Edmund encounters the American neighbours of the Scrubbs who include a Colonel who works at Bletchley Park and his family, while Lucy’s sense of political activism is awoken by news articles regarding the German concentration camps and the aiding and abetting of Polly.

And then it gets even better (Chapters 13 and 14 of Apostolic Way are also on my Christmas reread list).

Meticulously researched (read the recommended books; it’s worth it, trust me), it’s a joy and I really wish rthstewart was able to get to more of Lucy’s story, as she is my absolute favourite, but what we do get is So Damn Good.

The extended universe version of this is Everyone Lives, Nobody Dies, and features some delightful stories set well past the 1950s where all the characters get to grow up and get married and have families. My favourite story, if you twisted my arm, is probably Pigeon 40TW194 Reporting For Duty, because it's such a sweet look at the Pevensies in 2012. (My next favourite bits are 'any scenes at Lucy's school' and 'the time that Asim met Lucy').


Well Met at Mechanicsburg, by Persephone Kore and khilari. (Girl Genius)

Yes I am a living stereotype.

Do you like Girl Genius? Have you ever felt the desperate desire to knock all the characters’ heads together and get them to communicate? Then congratulations! This is the ‘Barry Actually Talks To Klaus After Rescuing Agatha’ fic. Everything gets immeasurably better. The OT3 have simultaneous breakthroughs as kids. Somehow everyone survives.

‘The Characters Actually Communicate’ is a deep well of fic in Girl Genius fandom, given the amount of the plot that hinges on pretty much everyone being too stubborn to tell another character what is going on, and assuming the worst of everyone’s motives. This is a classic of the genre and one of the best.

 

Pyeongchang and Prejudice, by AMarguerite. (Jane Austen) 

Again, this is another story that I should hate, but god does it work. It’s a modern AU of Pride and Prejudice, including a handful of other favourite Austen characters, set in a Yuri on Ice!!! fusion with Figure Skating RPF. (Generally, you will not get me through the door on Austen modern AUs, fusion fics, or most RPF. A combination of all three? Argh)

Five times World Champion and Two Times Olympic Gold Medallist Fitzwilliam Darcy of Canada has recently retired at the age of 27 to coach rising star Charles Bingley in Men’s Singles. Jamie and Elizabeth Bennet are currently one of the US premier ice dancing couples, but placed disappointingly in the Sochi Olympics after Jamie had a panic attack and are only just getting back on track with their eyes on Pyeongchang.

At the 2016/17 Grand Prix Final banquet, Darcy comments to Bingley that the Bennet siblings are tolerably proficient, but will never get anywhere without better coaching and are lifelong bronze medallists. Lizzy overhears…

It’s Pride and Prejudice, you know how this story goes.

Featuring several tango-offs with Virtue-Moir, cameos by various Austen characters and international figure skaters, and a lot of YOI-based insights into the characterisation of the main characters, it’s funny and rereadable and manages to sneak the Stammi Vicino pair skate in as part of the last scene at the Pyeongchang Olympic exhibition.

Unless you already have a copy, you unfortunately can’t read this one, as the author has taken it down to shop it around as an actual novel (one of the perennial issues in Austen fandom). I’ll be fascinated to see the novel version and I’ll buy it, but I suspect a good chunk of the RPF references will disappear in the editing. There are a LOT of serial numbers to file.

If you want a AMarguerite P&P fic you can actually read, go for An Ever-Fixed Mark, a soulmark P&P fic, which is also wildly good. There are three separate endings to the fic: Lizzy ending up with Darcy, Colonel Fitzwilliam and the Duke of Wellington respectively, and if I had to choose one, I’d plump for the Colonel Fitzwilliam ending as the best one, though all three have their charms.

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Up front: Seanan McGuire is one of those authors I will drop every to look at the newest thing she's published. She is FIRMLY in the "I am just in this author's fandom" list and I'll give her leeway and trust about story-types I'd generally avoid like the plague.

However.

These are the things that Don't Work For Me, or that I find ridiculously obnoxious.

1. The goddamned exclusive edition print runs.

These I find hypocritical to the extreme, given Seanan's strong opinion that to make things accessible, they have to exist in hardcopy so she can give them to her mum aka the Digital Divide.

I live in Australia. We are the home of the Western Geoblock, alongside New Zealand. Things are electronically geoblocked. Things are physically geoblocked. I have been working around the goddamn geoblock my entire life: when the original Pirates of the Caribbean came out, they didn't even release it in Australian cinemas for 6 months. PIRATES OF THE CARIBBEAN.

Just like I did NOT listen to Lin Manuel Miranda's pleas over 'don't share bootlegs of Hamilton' - you want people not to share bootlegs? You have to make things globally accessible. I have calculated this before: it takes a minimum of 5 years for a smash hit Broadway musical to make it from its opening on Broadway to Melbourne (it's always Melbourne). It look Wicked that long. It took Book of Mormon that long. Whatever was zeitgesty 5 years ago? We might get it this year. (But Cursed Child! you say. Yes. Cursed Child came faster, because the West End-Melbourne pipeline is shorter, though I'm still hopping mad that Matilda took 5 years, given TIM MINCHIN WROTE IT)

I recall promises for a DVD release, professionally filmed, of the Hamilton Original Cast. Guess what doesn't exist?

(Also see the Oatmeal 'Why I pirated Game of Thrones' rant)

Releasing certain stories as a limited print run only is a goddamn geoblock. They're generally novellas. Once exchange rates and postage are taken into account, they cost me somewhere in the region of $80-$100. That's brand new, when released, not trying to get second hand later on (when they're even more expensive).

My entertainment budget does not extend to $80 for a NOVELLA. I see $80 game releases, then wait 12 months for the GOTY version to go on a Steam Seasonal Sale for at least 50% off. So I will never see them, unless I get a bootleg copy, so then going on an WRITING A SEQUEL with a wide release and saying 'but you'll never get the prequel, soz' drives me up the goddamn wall.

Anyway. Smugness that you overcome the digital divide by releasing things in hardcopy looks really bad to someone dealing with the tyranny of distance, where the hardcopies still might not show up, or cost $50+ per book.

2. Feed does not work for me.

I'm not a horror fan, first up, so a zombie political medical thriller was always going to be most interesting to me on the political level. (And the politics are not worth the price of entry for that alone)

It also managed in the first chapter to get my back up IMMEDIATELY by lionising Steve Irwin. "Steve Irwin was amazing and inspirational!" the book says to me. "Steve Irwin was a goddamn pain who poked things with sticks that you don't poke because they're DANGEROUS, and that eventually killed him! Russell Coight was barely a parody!" sez moi. And then we went downhill from there. I finished book one, opened book two, then put it aside with a sigh as I honestly Did Not Care about these characters and their woe.

I don't mind a bit of virology, but let's just point out, the Parasitology series stone cold opened with creepy well written children's poetry AND allowed me to croon "the poor little tapeworm DOESN'T UNDERSTAND YOU" constantly for the first two books. I will defend the Parasitology books as automatically superior to any comers on the basis of Absolutely No Steve Irwin Here plus Poetry I Want To See In A Creepy Children's Book Mostly Full of Drawings Of Ghostly Trees With A Path Wending Between Them.

3. Had to Give Up On the InCryptid Books Largely Due to Antimony

I love me some Aeslin mice. The "telling stories spread across a family over time" thing hits all sorts of narrative points that make me happy. Enid, Fran, Alice, Thomas, Verity and Alex are all characters I would happily spend more time hanging out with.

Antimony drives me up the wall.

I've tried, mostly with her short stories (though thanks publishers, you haven't released any of the InCryptids in Australia past book 3, the only copies we can get are imports, we love you SO MUCH for that. Not.)

The whiny younger sister who feels let down by her older siblings actually finding some way to be successful/escape the cloistered environment of the family compound, after learning how to work the system - my sympathies are never going to be with that character. Especially when she clearly got away with murder her entire childhood by being the youngest and most coddled.

Also, Antimony manages her own escape, from everything I can tell, via the circus. And so we devolve off to The Country Parts of Middle America And Their Culture that is 100% foreign and weird to me, but written as if I'm expected to find it familiarly creepy. Signal that this is Not For Me has been raised, I'll depart forthwith.

I'm trying to decide if I want to try to come back for the upcoming Sarah Zellaby books, as Sarah is a sweetheart, but I think the inertia of having to work out what occurred during Antimony will defeat me.

Write some more about Alice and Thomas, Seanan, if it doesn't hurt you too much. I want to see how Thomas goes missing.

4. The Girl in the Green Silk Gown

Annnnnd even more middle America. No. (Again, I've tried the short stories, and I bounced so hard I backed up, went 'yeah not for me' and haven't returned since.

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